Arena one-off
V2 on a 60-foot LED wall — processor config, content checks, and IMAG integration.
CH 00 — Sunset Dawn Ent./ Video · AV · FX/ Greater Philadelphia
Video & AV/FX engineer. LED walls, switching, playback, sound, and effects for shows that have to land the first time — and a fixer's calm for everything that tries to stop them.
Cue 01 — Picture
Switching, playback, LED and projection. Frame-accurate, redundant, and ready before doors.
Cue 02 — Signal
FOH and monitor mixes, RF that stays clean, and systems tuned to the room — not the spec sheet.
Cue 03 — Impact
Lighting looks, atmosphere, and show control that hit exactly on cue — never early, never late.
OperatorFOH-01
L. KirklandPhiladelphia
I came up the honest way — warehouse floor to show floor. Prepping racks, packing trucks, and pushing cases taught me what gear actually survives a load-in, and running shows taught me what an audience actually sees and hears.
Today, I run freelance contracts under Sunset Dawn Entertainment across Greater Philadelphia, alongside time at Bauder Audio: video engineering first — switching, LED walls, projection, playback — with live sound and FX close behind, for corporate sessions, festivals, galas, and one-offs.
The line item says V1 or A2. The job I actually do is problem-solving — tracing a signal chain nobody documented, finding the fault before the fault finds you, and building a clean fix from whatever's in the truck. I show up early, label everything, and stay level when the show doesn't — because it never fully does.
“If it isn't patched, labeled, and tested, it isn't done.”
V2 on a 60-foot LED wall — processor config, content checks, and IMAG integration.
V1 switcher op — multi-camera program cut live to screens and stream, no missed takes.
Playback & projection — synced media servers, blended surfaces, timecoded reveal.
1,200 seats, 14 channels of wireless, zero RF hits across a three-day program.
FOH systems tech — line array deployment, tuning, and changeovers for a two-day bill.
FX & show control — lighting looks, haze cues, and a 200-cue stack run from one console.
Full credit list + references available on request.
Switching, playback, LED wall and projection setup — frame-accurate signal flow built clean, with redundancy where it counts.
FOH and monitor mixing, system deployment and tuning, RF coordination that holds up in crowded spectrum.
Looks, atmospherics, and effect cues programmed and fired on time — supporting the show, never stealing it.
Signal flow design, show power and distro, AV networking — and calm, methodical fault-finding when something dies five minutes before doors.
Truck pack, load-in/out leadership, and gear prep — a warehouse background means nothing gets left, lost, or broken.